Sleep, love sleep,
The night winds sigh,
In soft lullaby.
The Lark is at rest
With the dew on her breast.
So close those dear eyes,
That borrowed their hue
From the heavens so blue,
Sleep, love sleep.

Sleep, love sleep,
The pale moon looks down
On the valleys around,
The Glow Moth is flying,
The South wind is sighing,
And I am low lying,
With lute deftly strung,
To pour out my song,
Sleep, love sleep.

Life, like a marble block, is given to all,
A blank, inchoate mass of years and days,
Whence one with ardent chisel swift essays
Some shape of strength or symmetry to call;
One shatters it in bits to mend a wall;
One in a craftier hand the chisel lays,
And one, to wake the mirth in Lesbia’s gaze,
Carves it apace in toys fantastical.

But least is he who, with enchanted eyes
Filled with high visions of fair shapes to be,
Muses which god he shall immortalize
In the proud Parian’s perpetuity,
Till twilight warns him from the punctual skies
That the night cometh wherein none shall see.

I see it as it looked one afternoon
In August,— by a fresh soft breeze o’erblown.
The swiftness of the tide, the light thereon,
A far-off sail, white as a crescent moon.
The shining waters with pale currents strewn,
The quiet fishing-smacks, the Eastern cove,
The semi-circle of its dark, green grove.
The luminous grasses, and the merry sun
In the grave sky; the sparkle far and wide,
Laughter of unseen children, cheerful chirp
Of crickets, and low lisp of rippling tide,
Light summer clouds fantastical as sleep
Changing unnoted while I gazed thereon.
All these fair sounds and sights I made my own.

Go to the western gate, Luke Havergal,
There where the vines cling crimson on the wall,
And in the twilight wait for what will come.
The leaves will whisper there of her, and some,
Like flying words, will strike you as they fall;
But go, and if you listen she will call.
Go to the western gate, Luke Havergal—
Luke Havergal.

No, there is not a dawn in eastern skies
To rift the fiery night that’s in your eyes;
But there, where western glooms are gathering,
The dark will end the dark, if anything:
God slays Himself with every leaf that flies,
And hell is more than half of paradise.
No, there is not a dawn in eastern skies—
In eastern skies.

Out of a grave I come to tell you this,
Out of a grave I come to quench the kiss
That flames upon your forehead with a glow
That blinds you to the way that you must go.
Yes, there is yet one way to where she is,
Bitter, but one that faith may never miss.
Out of a grave I come to tell you this—
To tell you this.

There is the western gate, Luke Havergal,
There are the crimson leaves upon the wall.
Go, for the winds are tearing them away,—
Nor think to riddle the dead words they say,
Nor any more to feel them as they fall;
But go, and if you trust her she will call.
There is the western gate, Luke Havergal—
Luke Havergal.

Half of my life is gone, and I have let
   The years slip from me and have not fulfilled
   The aspiration of my youth, to build
   Some tower of song with lofty parapet.
Not indolence, nor pleasure, nor the fret
   Of restless passions that would not be stilled,
   But sorrow, and a care that almost killed,
   Kept me from what I may accomplish yet;
Though, half-way up the hill, I see the Past
   Lying beneath me with its sounds and sights,—
   A city in the twilight dim and vast,
With smoking roofs, soft bells, and gleaming lights,—
   And hear above me on the autumnal blast
   The cataract of Death far thundering from the heights.

The fields are white;
The laborers are few;
Yet say the idle:
There’s nothing to do.

Jails are crowded;
In Sunday-schools few;
We still complain:
There’s nothing to do.

Drunkards are dying—
Your sons, it is true;
Mothers’ arms folded
With nothing to do.

Heathens are dying;
Their blood falls on you;
How can you people
Find nothing to do?
 

Alas! and am I born for this,
To wear this slavish chain?
Deprived of all created bliss,
Through hardship, toil and pain!

How long have I in bondage lain,
And languished to be free!
Alas! and must I still complain—
Deprived of liberty.

Oh, Heaven! and is there no relief
This side the silent grave—
To soothe the pain—to quell the grief
And anguish of a slave?

Come Liberty, thou cheerful sound,
Roll through my ravished ears!
Come, let my grief in joys be drowned,
And drive away my fears.

Say unto foul oppression, Cease:
Ye tyrants rage no more,
And let the joyful trump of peace,
Now bid the vassal soar.

Soar on the pinions of that dove
Which long has cooed for thee,
And breathed her notes from Afric’s grove,
The sound of Liberty.

Oh, Liberty! thou golden prize,
So often sought by blood—
We crave thy sacred sun to rise,
The gift of nature’s God!

Bid Slavery hide her haggard face,
And barbarism fly:
I scorn to see the sad disgrace
In which enslaved I lie.

Dear Liberty! upon thy breast,
I languish to respire;
And like the Swan unto her nest,
I’d like to thy smiles retire.

Oh, blest asylum—heavenly balm!
Unto thy boughs I flee—
And in thy shades the storm shall calm,
With songs of Liberty!
 

Esteville begins to burn;
   The auburn fields of harvest rise;
The torrid flames again return,
   And thunders roll along the skies.

Perspiring Cancer lifts his head,
   And roars terrific from on high;
Whose voice the timid creatures dread;
   From which they strive with awe to fly.

The night-hawk ventures from his cell,
   And starts his note in evening air;
He feels the heat his bosom swell,
   Which drives away the gloom of fear.

Thou noisy insect, start thy drum;
   Rise lamp-like bugs to light the train;
And bid sweet Philomela come,
   And sound in front the nightly strain.

The bee begins her ceaseless hum,
   And doth with sweet exertions rise;
And with delight she stores her comb,
   And well her rising stock supplies.

Let sportive children well beware,
   While sprightly frisking o’er the green;
And carefully avoid the snare,
   Which lurks beneath the smiling scene.

The mistress bird assumes her nest,
   And broods in silence on the tree,
Her note to cease, her wings at rest,
   She patient waits her young to see.
 

O thou bright jewel in my aim I strive
To comprehend thee. Thine own words declare
Wisdom is higher than a fool can reach.
I cease to wonder, and no more attempt
Thine height t’explore, or fathom thy profound.
But, O my soul, sink not into despair,
Virtue is near thee, and with gentle hand
Would now embrace thee, hovers o’er thine head.
Fain would the heaven-born soul with her converse,
Then seek, then court her for her promised bliss.

Auspicious queen, thine heavenly pinions spread,
And lead celestial Chastity along;
Lo! now her sacred retinue descends,
Arrayed in glory from the orbs above.
Attend me, Virtue, thro’ my youthful years!
O leave me not to the false joys of time!
But guide my steps to endless life and bliss.
Greatness, or Goodness, say what I shall call thee,
To give an higher appellation still,
Teach me a better strain, a nobler lay,
O Thou, enthroned with Cherubs in the realms of day!

Morn on her rosy couch awoke,
   Enchantment led the hour,
And mirth and music drank the dews
   That freshen’d Beauty’s flower,
Then from her bower of deep delight,
   I heard a young girl sing,
‘Oh, speak no ill of poetry,
   For ’tis a holy thing.’

The Sun in noon-day heat rose high,
   And on the heaving breast,
I saw a weary pilgrim toil
   Unpitied and unblest,
Yet still in trembling measures flow’d
   Forth from a broken string,
‘Oh, speak no ill of poetry,
   For ’tis a holy thing.’

’Twas night, and Death the curtains drew,
   ’Mid agony severe,
While there a willing spirit went
   Home to a glorious sphere,
Yet still it sigh’d, even when was spread
   The waiting Angel’s wing,
‘Oh, speak no ill of poetry,
   For ’tis a holy thing.’