Among the signs of autumn I perceive
The Roman wormwood (called by learned men
Ambrosia elatior, food for gods,—
For to impartial science the humblest weed
Is as immortal once as the proudest flower—)
Sprinkles its yellow dust over my shoes
As I cross the now neglected garden.
—We trample under foot the food of gods
And spill their nectar in each drop of dew—
My honest shoes, fast friends that never stray
Far from my couch, thus powdered, countryfied,
Bearing many a mile the marks of their adventure,
At the post-house disgrace the Gallic gloss
Of those well dressed ones who no morning dew
Nor Roman wormwood ever have been through,
Who never walk but are transported rather—
For what old crime of theirs I do not gather.
Archives: Poems
Poetry content
Suppose, my little lady,
Your doll should break her head,
Could you make it whole by crying
Till your eyes and nose are red?
And would n’t it be pleasanter
To treat it as a joke;
And say you ’re glad “’T was Dolly’s
And not your head that broke?”
Suppose you ’re dressed for walking,
And the rain comes pouring down,
Will it clear off any sooner
Because you scold and frown?
And would n’t it be nicer
For you to smile than pout,
And so make sunshine in the house
When there is none without?
Suppose your task, my little man,
Is very hard to get,
Will it make it any easier
For you to sit and fret?
And would n’t it be wiser
Than waiting like a dunce,
To go to work in earnest
And learn the thing at once?
Suppose that some boys have a horse,
And some a coach and pair,
Will it tire you less while walking
To say, “It is n’t fair?”
And would n’t it be nobler
To keep your temper sweet,
And in your heart be thankful
You can walk upon your feet?
And suppose the world don’t please you,
Nor the way some people do,
Do you think the whole creation
Will be altered just for you?
And is n’t it, my boy or girl,
The wisest, bravest plan,
Whatever comes, or does n’t come,
To do the best you can?
Cover me with your everlasting arms,
Ye guardian giants of this solitude!
From the ill-sight of men, and from the rude,
Tumultuous din of yon wild world’s alarms!
Oh, knit your mighty limbs around, above,
And close me in for ever! let me dwell
With the wood spirits, in the darkest cell
That ever with your verdant locks ye wove.
The air is full of countless voices, joined
In one eternal hymn; the whispering wind,
The shuddering leaves, the hidden water springs,
The work-song of the bees, whose honeyed wings
Hang in the golden tresses of the lime,
Or buried lie in purple beds of thyme.
Let me make the songs for the people,
Songs for the old and young;
Songs to stir like a battle-cry
Wherever they are sung.
Not for the clashing of sabres,
For carnage nor for strife;
But songs to thrill the hearts of men
With more abundant life.
Let me make the songs for the weary,
Amid life’s fever and fret,
Till hearts shall relax their tension,
And careworn brows forget.
Let me sing for little children,
Before their footsteps stray,
Sweet anthems of love and duty,
To float o’er life’s highway.
I would sing for the poor and aged,
When shadows dim their sight;
Of the bright and restful mansions,
Where there shall be no night.
Our world, so worn and weary,
Needs music, pure and strong,
To hush the jangle and discords
Of sorrow, pain, and wrong.
Music to soothe all its sorrow,
Till war and crime shall cease;
And the hearts of men grown tender
Girdle the world with peace.
Out in the sky the great dark clouds are massing;
I look far out into the pregnant night,
Where I can hear a solemn booming gun
And catch the gleaming of a random light,
That tells me that the ship I seek is passing, passing.
My tearful eyes my soul’s deep hurt are glassing;
For I would hail and check that ship of ships.
I stretch my hands imploring, cry aloud,
My voice falls dead a foot from mine own lips,
And but its ghost doth reach that vessel, passing, passing.
O Earth, O Sky, O Ocean, both surpassing,
O heart of mine, O soul that dreads the dark!
Is there no hope for me? Is there no way
That I may sight and check that speeding bark
Which out of sight and sound is passing, passing?
Sleep, love sleep,
The night winds sigh,
In soft lullaby.
The Lark is at rest
With the dew on her breast.
So close those dear eyes,
That borrowed their hue
From the heavens so blue,
Sleep, love sleep.
Sleep, love sleep,
The pale moon looks down
On the valleys around,
The Glow Moth is flying,
The South wind is sighing,
And I am low lying,
With lute deftly strung,
To pour out my song,
Sleep, love sleep.
The fields are white;
The laborers are few;
Yet say the idle:
There’s nothing to do.
Jails are crowded;
In Sunday-schools few;
We still complain:
There’s nothing to do.
Drunkards are dying—
Your sons, it is true;
Mothers’ arms folded
With nothing to do.
Heathens are dying;
Their blood falls on you;
How can you people
Find nothing to do?
Half of my life is gone, and I have let
The years slip from me and have not fulfilled
The aspiration of my youth, to build
Some tower of song with lofty parapet.
Not indolence, nor pleasure, nor the fret
Of restless passions that would not be stilled,
But sorrow, and a care that almost killed,
Kept me from what I may accomplish yet;
Though, half-way up the hill, I see the Past
Lying beneath me with its sounds and sights,—
A city in the twilight dim and vast,
With smoking roofs, soft bells, and gleaming lights,—
And hear above me on the autumnal blast
The cataract of Death far thundering from the heights.
Go to the western gate, Luke Havergal,
There where the vines cling crimson on the wall,
And in the twilight wait for what will come.
The leaves will whisper there of her, and some,
Like flying words, will strike you as they fall;
But go, and if you listen she will call.
Go to the western gate, Luke Havergal—
Luke Havergal.
No, there is not a dawn in eastern skies
To rift the fiery night that’s in your eyes;
But there, where western glooms are gathering,
The dark will end the dark, if anything:
God slays Himself with every leaf that flies,
And hell is more than half of paradise.
No, there is not a dawn in eastern skies—
In eastern skies.
Out of a grave I come to tell you this,
Out of a grave I come to quench the kiss
That flames upon your forehead with a glow
That blinds you to the way that you must go.
Yes, there is yet one way to where she is,
Bitter, but one that faith may never miss.
Out of a grave I come to tell you this—
To tell you this.
There is the western gate, Luke Havergal,
There are the crimson leaves upon the wall.
Go, for the winds are tearing them away,—
Nor think to riddle the dead words they say,
Nor any more to feel them as they fall;
But go, and if you trust her she will call.
There is the western gate, Luke Havergal—
Luke Havergal.
I see it as it looked one afternoon
In August,— by a fresh soft breeze o’erblown.
The swiftness of the tide, the light thereon,
A far-off sail, white as a crescent moon.
The shining waters with pale currents strewn,
The quiet fishing-smacks, the Eastern cove,
The semi-circle of its dark, green grove.
The luminous grasses, and the merry sun
In the grave sky; the sparkle far and wide,
Laughter of unseen children, cheerful chirp
Of crickets, and low lisp of rippling tide,
Light summer clouds fantastical as sleep
Changing unnoted while I gazed thereon.
All these fair sounds and sights I made my own.