He scribbles some in prose and verse,
    And now and then he prints it;
He paints a little, — gathers some
    Of Nature’s gold and mints it.

He plays a little, sings a song,
    Acts tragic roles, or funny;
He does, because his love is strong,
    But not, oh, not for money!

He studies almost everything
    From social art to science;
A thirsty mind, a flowing spring,
    Demand and swift compliance.

He looms above the sordid crowd—
    At least through friendly lenses;
While his mamma looks pleased and proud,
    And kindly pays expenses.

Whether awake or sleeping,
   I cannot rest for long:
By my casement comes creeping
  A distant song.

A song like the chiming of silver
  Bells which the breezes play,
Seeming to float for ever
  Towards an unseen day:

A song that is weary with sorrow,
  Yet knows not any defeat:
Through the past, through to-day, through to-morrow,
  It echoes on life’s long street.

Could I but make words of its power,
  Bring it from the future here,
Men’s souls would be waking, that hour,
  To the victory against fear.

But the vague sweet stanza befools me
  With its calm joy, time after time,
And no failure here ever schools me
  To cease from an idle rhyme.

That music afar, unspoken,
    ’Tis I have done it wrong:
I caught, and I have broken,
    A distant song. 

             (November, 1861.)

In time and measure perfect moves

    All Art whose aim is sure;

Evolving rhyme and stars divine

    Have rules, and they endure.

 

Nor less the Fleet that warred for Right,

    And, warring so, prevailed,

In geometric beauty curved,

    And in an orbit sailed.

 

The rebel at Port Royal felt

    The Unity overawe,

And rued the spell. A type was here,

    And victory of Law.

I know not why, but it is true—it may,
In some way, be because he was a child
Of the fierce sun where I first wept and smiled—
I love the dark-browed Poe. His feverish day
Was spent in dreams inspired, that him beguiled,
When not along his path shone forth one ray
Of light, of hope, to guide him on the way,
That to earth’s cares he might be reconciled.
Not one of all Columbia’s tuneful choir
Has pitched his notes to such a matchless key
As Poe—the wizard of the Orphic lyre!
Not one has dreamed, has sung, such songs as he,
   Who, like an echo came, an echo went,
   Singing, back to his mother element.

Oh let me go I’m weary here

And fevers scorch my brain,

I long to feel my native air

Breathe o’er each burning vein.

 

I long once more to see

My home among the distant hills,

To breathe amid the melody

Of murmering brooks and rills.

 

My home is where eternal snow

Round threat’ning craters sleep,

Where streamlets murmer soft and low

And playful cascades leap.

 

Tis where glad scenes shall meet

My weary, longing eye;

Where rocks and Alpine forests greet

The bright cerulean sky.

 

Your scenes are bright I know,

But there my mother pray’d,

Her cot is lowly, but I go

To die beneath its shade.

 

For, Oh I know she’ll cling

‘Round me her treasur’d long,

My sisters too will sing

Each lov’d familiar song.

 

They’ll soothe my fever’d brow,

As in departed hours,

And spread around my dying couch

The brightest, fairest flowers.

 

Then let me go I’m weary here

And fevers scorch my brain,

I long to feel my native air,

Breathe o’er each burning vein.

Golden-eyed girl, do you see what I see?
Do you see behind the veil that Life
           laughs through?
Golden-eyed girl, I would like to laugh
           with you.
But my veil is torn, and I see things pass
Like shadows in the depths of a crystal glass.

Golden-eyed girl, you are young as springtime,
Your great eyes are dreamful, your rare
           lips sweet.
Shadows matter little to youth with dancing feet
All of Life’s skeletons wear gay dresses
And youth is deceived by even Death’s caresses.

Golden-eyed girl, you have years to dance and
           wonder
Before your Life’s curtain will wear into holes
And let you see the hopelessness hidden in souls.
You have many moons of laughter, many
           years to go
Before you’ll learn how heavy dancing feet
           can grow.

Announced by all the trumpets of the sky,
Arrives the snow, and, driving o’er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.

Come see the north wind’s masonry.
Out of an unseen quarry evermore
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;
A swan-like form invests the hidden thorn;
Fills up the farmer’s lane from wall to wall,
Maugre the farmer’s sighs; and, at the gate,
A tapering turret overtops the work.
And when his hours are numbered, and the world
Is all his own, retiring, as he were not,
Leaves, when the sun appears, astonished Art
To mimic in slow structures, stone by stone,
Built in an age, the mad wind’s night-work,
The frolic architecture of the snow.

I am the mother of sorrows,
   I am the ender of grief;
I am the bud and the blossom,
   I am the late-falling leaf.

I am thy priest and thy poet,
   I am thy serf and thy king;
I cure the tears of the heartsick,
   When I come near they shall sing.

White are my hands as the snowdrop;
   Swart are my fingers as clay;
Dark is my frown as the midnight,
   Fair is my brow as the day.

Battle and war are my minions,
   Doing my will as divine;
I am the calmer of passions,
   Peace is a nursling of mine.

Speak to me gently or curse me,
   Seek me or fly from my sight;
I am thy fool in the morning,
   Thou art my slave in the night.

Down to the grave will I take thee,
   Out from the noise of the strife;
Then shalt thou see me and know me—
   Death, then, no longer, but life.

Then shalt thou sing at my coming,
   Kiss me with passionate breath,
Clasp me and smile to have thought me
   Aught save the foeman of Death.

Come to me, brother, when weary,
   Come when thy lonely heart swells;
I’ll guide thy footsteps and lead thee
   Down where the Dream Woman dwells.

The Ocean has its silent caves,
Deep, quiet, and alone;
Though there be fury on the waves,
Beneath them there is none.

The awful spirits of the deep
Hold their communion there;
And there are those for whom we weep,
The young, the bright, the fair.

Calmly the wearied seamen rest
Beneath their own blue sea.
The ocean solitudes are blest,
For there is purity.

The earth has guilt, the earth has care,
Unquiet are its graves;
But peaceful sleep is ever there,
Beneath the dark blue waves.

Have but one God: thy knees were sore
If bent in prayer to three or four.

Adore no images save those
The coinage of thy country shows.

Take not the Name in vain. Direct
Thy swearing unto some effect.

Thy hand from Sunday work be held—
Work not at all unless compelled.

Honor thy parents, and perchance
Their wills thy fortunes may advance.

Kill not—death liberates thy foe
From persecution’s constant woe.

Kiss not thy neighbor’s wife. Of course
There’s no objection to divorce.

To steal were folly, for ’tis plain
In cheating there is greater gain.

Bear not false witness. Shake your head
And say that you have “heard it said.”

Who stays to covet ne’er will catch
An opportunity to snatch.