A spring snow coincides with plum blossoms.
In a month, you will forget, then remember
when nine ravens perched in the elm sway in wind.
I will remember when I brake to a stop,
and a hubcap rolls through the intersection.
An angry man grinds pepper onto his salad;
it is how you nail a tin amulet ear
into the lintel. If, in deep emotion, we are
possessed by the idea of possession,
we can never lose to recover what is ours.
Sounds of an abacus are amplified and condensed
to resemble sounds of hail on a tin roof,
but mind opens to the smell of lightening.
Bodies were vaporized to shadows by intense heat;
in memory people outline bodies on walls.
Copyright Credit: Arthur Sze, “Spring Snow” from The Redshifting Web: Poems 1970-1998. Copyright © 1998 by Arthur Sze. Used with the permission of Copper Canyon Press.
The tide ebbs and reveals orange and purple sea stars.
I have no theory of radiance,
but after rain evaporates
off pine needles, the needles glisten.
In the courtyard, we spot the rising shell of a moon,
and, at the equinox, bathe in its gleam.
Using all the tides of starlight,
we find
vicissitude is our charm.
On the mud flats off Homer,
I catch the tremor when waves start to slide back in;
and, from Roanoke, you carry
the leafing jade smoke of willows.
Looping out into the world, we thread
and return. The lapping waves
cover an expanse of mussels clustered on rocks;
and, giving shape to what is unspoken,
forsythia buds and blooms in our arms.
Copyright Credit: Arthur Sze, “At the Equinox” from Compass Rose. Copyright © 2014 by Arthur Sze. Used with the permission of Copper Canyon Press.
When I was in the Secret Service I would talk to my wrist. It was
part of my job and I was very good at it. I said Breaker breaker. I said
The Jackal is on the move. During the day, I kept everyone safe. At
night, I dreamed of standing very quietly next to doors. To work
at the White House one must be sophisticated and intense. One
must be dedicated to turning the knobs and lifting the pens that
make the laws. One must anticipate, relentlessly, the unanticipated.
Sometimes, to avoid suspicion, I would pretend to be a robot and
I would sing—like this: Beep boop. An impeccable camouflage.
Once, in a submarine, at the end of a long shift, in the terrible dark
beneath a terrible storm, in the blub and swell of it, sunk and fast-
stuck in a trench and far from home, cold-soaked and lost in the
plush of a velvet suit—an octopus costume, elaborately constructed,
with droopy arms spangled with buttons for suckers—I escaped
discovery several times. If I was undercover now I wouldn’t say.
Until tomorrow. I tell you this because I love you. I might be doing
it all wrong.
Copyright Credit: Richard Siken, “Poetry” from I Do Know Some Things. Copyright © 2025 by Richard Siken. Used with the permission of Copper Canyon Press.
In these barracks, night speaks another dialect.
No longer does he fall asleep to the smell
of boiling milk or his brother breathing
cigarettes in the dark. He doesn’t yet know
the ways his body will change for a war
that doesn’t happen in this country
he will soon leave. From now on he will grow
like sharpening. Tonight he is too eager and
cannot sleep, this last moment before they strip him
of childhood, have him believe the true war
is inside him. Tonight, he is still a boy of sixteen
who dreams of being a pilot, not to flight
but to soar, titanium wings fluttering
through the blameless air. He brushes the blanket,
this fleshy creature with no edges, not yet bruised
into the solemn duty of manhood.
Copyright Credit: Natasha Rao, “My Father’s First Night in the National Defense Academy” from Latitude. Copyright © 2021 by Natasha Rao. Used with the permission of Copper Canyon Press.
Our stone wall was built by slaves and my bones, my bones
are paid for. We have two
of everything, twice heavy
in our pockets, warming
our two big hands.
This is the story, as I know it. One morning:
the ships came, as foretold, and death
pearl-handled, almost
and completely.
How cheap a date I turned out to be.
Each finger weak with the memory:
lost teeth, regret. Our ghosts
walk the shoulders of the road at night.
I get the feeling you’ve been lying to me.
Copyright Credit: Claudia Rankine, “History” from Incorrect Merciful Impulses. Copyright © 2016 by Claudia Rankine. Used with the permission of Copper Canyon Press.
Boll-weevil’s coming, and the winter’s cold,
Made cotton-stalks look rusty, seasons old,
And cotton, scarce as any southern snow,
Was vanishing; the branch, so pinched and slow,
Failed in its function as the autumn rake;
Drouth fighting soil had caused the soil to take
All water from the streams; dead birds were found
In wells a hundred feet below the ground—
Such was the season when the flower bloomed.
Old folks were startled, and it soon assumed
Significance. Superstition saw
Something it had never seen before:
Brown eyes that loved without a trace of fear,
Beauty so sudden for that time of year.
When I go back to earth
And all my joyous body
Puts off the red and white
That once had been so proud,
If men should pass above
With false and feeble pity,
My dust will find a voice
To answer them aloud:
“Be still, I am content,
Take back your poor compassion,
Joy was a flame in me
Too steady to destroy;
Lithe as a bending reed
Loving the storm that sways her—
I found more joy in sorrow
Than you could find in joy.”
Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder like a cup.
Life has loveliness to sell,
Music like a curve of gold,
Scent of pine trees in the rain,
Eyes that love you, arms that hold,
And for your spirit's still delight,
Holy thoughts that star the night.
Spend all you have for loveliness,
Buy it and never count the cost;
For one white singing hour of peace
Count many a year of strife well lost,
And for a breath of ecstasy
Give all you have been, or could be.
Sacred stars blanket a nighttime sky,
each light reminds us of the preciousness of life.
Your memory lives along the Milky Way,
each twinkle saying don’t forget my name.
It’s an epidemic, a sickness of the earth,
a war we enter as soon as we are birthed.
Indigenous women, girls, our two-spirit, too.
When did this world start disappearing you?
Copyright Credit: Tanaya Winder, “And I wonder where you are” from Poetry (March 2021). Copyright © 2021 by Tanaya Winder. Used with the permission of the author.