Just a rainy day or two

In a windy tower,

That was all I had of you—

Saving half an hour.

Marred by greeting passing groups

In a cinder walk,

Near some naked blackberry hoops

Dim with purple chalk.

I remember three or four

Things you said in spite,

And an ugly coat you wore,

Plaided black and white.

Just a rainy day or two

And a bitter word.

Why do I remember you

As a singing bird?

     For authorities whose hopes 
are shaped by mercenaries?
     Writers entrapped by 
     teatime fame and by 
commuters’ comforts? Not for these 
     the paper nautilus 
     constructs her thin glass shell.

     Giving her perishable 
souvenir of hope, a dull
     white outside and smooth- 
     edged inner surface 
glossy as the sea, the watchful
     maker of it guards it 
     day and night; she scarcely

     eats until the eggs are hatched. 
Buried eight-fold in her eight 
     arms, for she is in 
     a sense a devil-
fish, her glass ramshorn-cradled freight 
     is hid but is not crushed.
     As Hercules, bitten

     by a crab loyal to the hydra, 
was hindered to succeed, 
     the intensively 
     watched eggs coming from 
the shell free it when they are freed,— 
     leaving its wasp-nest flaws 
     of white on white, and close-

     laid Ionic chiton-folds 
like the lines in the mane of 
     A Parthenon horse, 
     round which the arms had 
wound themselves as if they knew love
     is the only fortress 
     strong enough to trust to.

I will be the gladdest thing
    Under the sun!
I will touch a hundred flowers
    And not pick one.

I will look at cliffs and clouds
    With quiet eyes,
Watch the wind bow down the grass,
    And the grass rise.

And when lights begin to show
    Up from the town,
I will mark which must be mine,
    And then start down!

Revived bitterness
is unnecessary unless
    One is ignorant.

To-morrow will be
Yesterday unless you say the
    Days of the week back-

Ward. Last weeks’ circus
Overflow frames an old grudge. Thus:
    When you attempt to 

Force the doors and come
At the cause of the shouts, you thumb
    A brass nailed echo.

We met ourselves as we came back 
As we hiked the trail from the north. 
Our foot-prints mixed in the rainy path
Coming back and going forth. 
The prints of my comrade’s hob-nailed shoes 
And my tramp shoes mixed in the rain. 
We had climbed for days and days to the North 
And this was the sum of our gain: 
We met ourselves as we came back,
And were happy in mist and rain. 
Our old souls and our new souls 
Met to salute and explain—
That a day shall be as a thousand years, 
And a thousand years as a day. 
The powers of a thousand dreaming skies 
As we shouted along the trail of surprise 
Were gathered in our play: 
The purple skies of the South and the North, 
The crimson skies of the South and the North,
Of tomorrow and yesterday.

I always was afraid of Somes’s Pond:
Not the little pond, by which the willow stands,
Where laughing boys catch alewives in their hands
In brown, bright shallows; but the one beyond.
There, when the frost makes all the birches burn
Yellow as cow-lilies, and the pale sky shines
Like a polished shell between black spruce and pines,
Some strange thing tracks us, turning where we turn.

You’ll say I dream it, being the true daughter
Of those who in old times endured this dread.
Look! Where the lily-stems are showing red
A silent paddle moves below the water,
A sliding shape has stirred them like a breath;
Tall plumes surmount a painted mask of death.

The reach of peace, the sky, the pines,
Leave me no more perplexed,
In which a memory divines
That bodies, buried, yet arise
Across the reach of all the skies,
Unburied and unvexed.
As arisen are the grass, the pines.
In upward-grown, delighted lines —
As a swimmer with one wave declines 
And rises with the next.

There is a star whose bite is certain death
While the moon but makes you mad —
So run from stars till you are out of breath
On a spring night, my lad,
Or slip among the shadows of a pine
And hide face down from the sky
And never stir and never make a sign,
Till the wild star goes by.

Little pin-prick geysers, spitting and sputtering; 
Little foaming geysers, that spatter and cough; 
Bubbling geysers, that gurgle out of the calyx of morning glory pools; 
Laughing geysers, that dance in the sun, and spread their robes like lace over the rocks; 
Raging geysers, that rush out of hell with a great noise, and blurt out vast dragon-gulps of steam, and,
finishing, sink back wearily into darkness; 
Glad geysers, nymphs of the sun, that rise, slim and nude, out of the hot dark earth, and stand poised in
beauty a moment, veiling their brows and breasts in mist; 
Winged geysers, spirits of fire, that rise tall and straight like a sequoia, and plume the sky with foam: 
O wild choral fountains, forever singing and seething, forever boiling in deep places and leaping forth for
bright moments into the air, 
How do you like it up here? Why must you go back to the spirits of darkness? What do you tell them
down there about your little glorious life in the sun?

A delicate fabric of bird song

  Floats in the air,

The smell of wet wild earth

  Is everywhere.

Red small leaves of the maple

  Are clenched like a hand,

Like girls at their first communion

  The pear trees stand.

Oh I must pass nothing by

  Without loving it much,

The raindrop try with my lips,

  The grass with my touch;

For how can I be sure

  I shall see again

The world on the first of May

  Shining after the rain?