Helen, thy beauty is to me
   Like those Nicéan barks of yore,
That gently, o’er a perfumed sea,
   The weary, way-worn wanderer bore
   To his own native shore.

On desperate seas long wont to roam,
   Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
   To the glory that was Greece,      
   And the grandeur that was Rome.

Lo! in yon brilliant window-niche
   How statue-like I see thee stand,
The agate lamp within thy hand!
   Ah, Psyche, from the regions which
   Are Holy-Land!

Vainly my heart had with thy sorceries striven:
It had no refuge from thy love,—no Heaven
But in thy fatal presence;—from afar
It owned thy power and trembled like a star
O’erfraught with light and splendor. Could I deem
How dark a shadow should obscure its beam?—
Could I believe that pain could ever dwell
Where thy bright presence cast its blissful spell?
Thou wert my proud palladium;—could I fear
The avenging Destinies when thou wert near?—
Thou wert my Destiny;—thy song, thy fame,
The wild enchantments clustering round thy name,
Were my soul’s heritage, its royal dower;
Its glory and its kingdom and its power!

Thou art my lute, by thee I sing,—
     My being is attuned to thee.
Thou settest all my words a-wing,
     And meltest me to melody.
 
Thou art my life, by thee I live,
     From thee proceed the joys I know;
Sweetheart, thy hand has power to give
     The meed of love—the cup of woe.
 
Thou art my love, by thee I lead
     My soul the paths of light along,
From vale to vale, from mead to mead,
     And home it in the hills of song.
 
My song, my soul, my life, my all,
     Why need I pray or make my plea,
Since my petition cannot fall;
     For I’m already one with thee!

To live and not be Thine Own,
Like Springtime is when birds are flown;
Or liberty in prison bars,
Or evening skies without the stars;
Like diamonds that are lusterless,
Or rest when there’s no weariness;
Like lovely flower that have no scent,
Or music when the sound is spent.

The moon now rises to her absolute rule,
And the husbandman and hunter
Acknowledge her for their mistress.
Asters and golden reign in the fields
And the life everlasting withers not.
The fields are reaped and shorn of their pride
But an inward verdure still crowns them;
The thistle scatters its down on the pool
And yellow leaves clothe the river—
And nought disturbs the serious life of men.
But behind the sheaves and under the sod
There lurks a ripe fruit which the reapers have not gathered,
The true harvest of the year—the boreal fruit
Which it bears forever,
With fondness annually watering and maturing it.
But man never severs the stalk
Which bears this palatable fruit.

The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveller hastens toward the town,
      And the tide rises, the tide falls.

Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
      And the tide rises, the tide falls.

The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveller to the shore,
      And the tide rises, the tide falls.

Oft have I thrilled at deeds of high emprise,
And yearned to venture into realms unknown,
Thrice blessed she, I deemed, whom God had shown
How to achieve great deeds in woman’s guise.
Yet what discov’ry by expectant eyes
Of foreign shores, could vision half the throne
Full gained by her, whose power fully grown
Exceeds the conquerors of th’ uncharted skies?
So would I be this woman whom the world
Avows its benefactor; nobler far,
Than Sybil, Joan, Sappho, or Egypt’s queen.
In the alembic forged her shafts and hurled
At pain, diseases, waging a humane war;
Greater than this achievement, none, I ween.

The fields are white;
The laborers are few;
Yet say the idle:
There’s nothing to do.

Jails are crowded;
In Sunday-schools few;
We still complain:
There’s nothing to do.

Drunkards are dying—
Your sons, it is true;
Mothers’ arms folded
With nothing to do.

Heathens are dying;
Their blood falls on you;
How can you people
Find nothing to do?
 

Half of my life is gone, and I have let
   The years slip from me and have not fulfilled
   The aspiration of my youth, to build
   Some tower of song with lofty parapet.
Not indolence, nor pleasure, nor the fret
   Of restless passions that would not be stilled,
   But sorrow, and a care that almost killed,
   Kept me from what I may accomplish yet;
Though, half-way up the hill, I see the Past
   Lying beneath me with its sounds and sights,—
   A city in the twilight dim and vast,
With smoking roofs, soft bells, and gleaming lights,—
   And hear above me on the autumnal blast
   The cataract of Death far thundering from the heights.

Go to the western gate, Luke Havergal,
There where the vines cling crimson on the wall,
And in the twilight wait for what will come.
The leaves will whisper there of her, and some,
Like flying words, will strike you as they fall;
But go, and if you listen she will call.
Go to the western gate, Luke Havergal—
Luke Havergal.

No, there is not a dawn in eastern skies
To rift the fiery night that’s in your eyes;
But there, where western glooms are gathering,
The dark will end the dark, if anything:
God slays Himself with every leaf that flies,
And hell is more than half of paradise.
No, there is not a dawn in eastern skies—
In eastern skies.

Out of a grave I come to tell you this,
Out of a grave I come to quench the kiss
That flames upon your forehead with a glow
That blinds you to the way that you must go.
Yes, there is yet one way to where she is,
Bitter, but one that faith may never miss.
Out of a grave I come to tell you this—
To tell you this.

There is the western gate, Luke Havergal,
There are the crimson leaves upon the wall.
Go, for the winds are tearing them away,—
Nor think to riddle the dead words they say,
Nor any more to feel them as they fall;
But go, and if you trust her she will call.
There is the western gate, Luke Havergal—
Luke Havergal.