I’ve known rivers:
I’ve known rivers ancient as the world and older than the flow of human
blood in human veins.
My soul has grown deep like the rivers.
I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln went down to New
Orleans, and I’ve seen its muddy bosom turn all golden in the sunset.
I’ve known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.
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The dog stops barking after Robinson has gone.
His act is over. The world is a gray world,
Not without violence, and he kicks under the grand piano,
The nightmare chase well under way.
The mirror from Mexico, stuck to the wall,
Reflects nothing at all. The glass is black.
Robinson alone provides the image Robinsonian.
Which is all of the room—walls, curtains,
Shelves, bed, the tinted photograph of Robinson’s first wife,
Rugs, vases, panatellas in a humidor.
They would fill the room if Robinson came in.
The pages in the books are blank,
The books that Robinson has read. That is his favorite chair,
Or where the chair would be if Robinson were here.
All day the phone rings. It could be Robinson
Calling. It never rings when he is here.
Outside, white buildings yellow in the sun.
Outside, the birds circle continuously
Where trees are actual and take no holiday.
This poem is not pre-1930 but is in the public domain.
(In Springfield, Illinois)
It is portentous, and a thing of state
That here at midnight, in our little town
A mourning figure walks, and will not rest,
Near the old court-house pacing up and down.
Or by his homestead, or in shadowed yards
He lingers where his children used to play,
Or through the market, on the well-worn stones
He stalks until the dawn-stars burn away.
A bronzed, lank man! His suit of ancient black,
A famous high top-hat and plain worn shawl
Make him the quaint great figure that men love,
The prairie-lawyer, master of us all.
He cannot sleep upon his hillside now.
He is among us:—as in times before!
And we who toss and lie awake for long
Breathe deep, and start, to see him pass the door.
His head is bowed. He thinks on men and kings.
Yea, when the sick world cries, how can he sleep?
Too many peasants fight, they know not why,
Too many homesteads in black terror weep.
The sins of all the war-lords burn his heart.
He sees the dreadnaughts scouring every main.
He carries on his shawl-wrapped shoulders now
The bitterness, the folly and the pain.
He cannot rest until a spirit-dawn
Shall come;—the shining hope of Europe free;
The league of sober folk, the Workers’ Earth,
Bringing long peace to Cornland, Alp and Sea.
It breaks his heart that kings must murder still,
That all his hours of travail here for men
Seem yet in vain. And who will bring white peace
That he may sleep upon his hill again?
September was when it began.
Locusts dying in the fields; our dogs
Silent, moving like shadows on a wall;
And strange worms crawling; flies of a kind
We had never seen before; huge vineyard moths;
Badgers and snakes, abandoning
Their holes in the field; the fruit gone rotten;
Queer fungi sprouting; the fields and woods
Covered with spiderwebs; black vapors
Rising from the earth—all these,
And more began that fall. Ravens flew round
The hospital in pairs. Where there was water,
We could hear the sound of beating clothes
All through the night. We could not count
All the miscarriages, the quarrels, the jealousies.
And one day in a field I saw
A swarm of frogs, swollen and hideous,
Hundreds upon hundreds, sitting on each other,
Huddled together, silent, ominous,
And heard the sound of rushing wind.
This poem is not pre-1930 but is in the public domain.
Would I might rouse the Lincoln in you all,
That which is gendered in the wilderness
From lonely prairies and God’s tenderness.
Imperial soul, star of a weedy stream,
Born where the ghosts of buffaloes still dream,
Whose spirit hoof-beats storm above his grave,
Above that breast of earth and prairie-fire—
Fire that freed the slave.
O dandelion, rich and haughty,
King of village flowers!
Each day is coronation time,
You have no humble hours.
I like to see you bring a troop
To beat the blue-grass spears,
To scorn the lawn-mower that would be
Like fate’s triumphant shears.
Your yellow heads are cut away,
It seems your reign is o’er.
By noon you raise a sea of stars
More golden than before.
(For Aline)
Now by what whim of wanton chance
Do radiant eyes know sombre days?
And feet that shod in light should dance
Walk weary and laborious ways?
But rays from Heaven, white and whole,
May penetrate the gloom of earth;
And tears but nourish, in your soul,
The glory of celestial mirth.
The darts of toil and sorrow, sent
Against your peaceful beauty, are
As foolish and as impotent
As winds that blow against a star.
Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.
Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.
This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.
Oh could I raise the darken’d veil,
Which hides my future life from me,
Could unborn ages slowly sail,
Before my view—and could I see
My every action painted there,
To cast one look I would not dare.
There poverty and grief might stand,
And dark Despair’s corroding hand,
Would make me seek the lonely tomb
To slumber in its endless gloom.
Then let me never cast a look,
Within Fate’s fix’d mysterious book.
She was cleaning—there is always
that to do—when she found,
at the top of the closet, his old
silk vest. She called me
to look at it, unrolling it carefully
like something live
might fall out. Then we spread it
on the kitchen table and smoothed
the wrinkles down, making our hands
heavy until its shape against Formica
came back and the little tips
that would have pointed to his pockets
lay flat. The buttons were all there.
I held my arms out and she
looped the wide armholes over
them. “That’s one thing I never
wanted to be,” she said, “a man.”
I went into the bathroom to see
how I looked in the sheen and
sadness. Wind chimes
off-key in the alcove. Then her
crying so I stood back in the sink-light
where the porcelain had been staring. Time
to go to her, I thought, with that
other mind, and stood still.
Copyright Credit: Tess Gallagher, “Black Silk” from Amplitude: New and Selected Poems. Copyright © 1987 by Tess Gallagher. Used with the permission of Graywolf Press.