for Phil Young and my father Robert Hedge Coke;
for Whitman and Hughes

America, I sing back. Sing back what sung you in.
Sing back the moment you cherished breath.
Sing you home into yourself and back to reason.

Before America began to sing, I sung her to sleep,
held her cradleboard, wept her into day.
My song gave her creation, prepared her delivery,
held her severed cord beautifully beaded.

My song helped her stand, held her hand for first steps,
nourished her very being, fed her, placed her three sisters strong.
My song comforted her as she battled my reason
broke my long-held footing sure, as any child might do.

As she pushed herself away, forced me to remove myself,
as I cried this country, my song grew roses in each tear’s fall.

My blood-veined rivers, painted pipestone quarries
circled canyons, while she made herself maiden fine.

But here I am, here I am, here I remain high on each and every peak,
carefully rumbling her great underbelly, prepared to pour forth singing—

and sing again I will, as I have always done.
Never silenced unless in the company of strangers, singing
the stoic face, polite repose, polite while dancing deep inside, polite
Mother of her world. Sister of myself.

When my song sings aloud again. When I call her back to cradle.
Call her to peer into waters, to behold herself in dark and light,
day and night, call her to sing along, call her to mature, to envision—
then, she will quake herself over. My song will make it so.

When she grows far past her self-considered purpose,
I will sing her back, sing her back. I will sing. Oh I will—I do.
America, I sing back. Sing back what sung you in.


Copyright Credit: Allison Adelle Hedge Coke, “America, I Sing You Back” from Streaming. Copyright © 2014 by Allison Adelle Hedge Coke. Used with the permission of Coffee House Press.

The northern lights.       I wouldn’t have noticed them
if the deer hadn’t told me
a doe her coat of pearls her glowing hoofs
proud and inquisitive
eager for my appraisal
and I went out into the night with electrical steps
but with my head held also proud
to share the animal’s fear
and see what I had seen before
a sky flaring and spectral
greenish waves and ribbons
and the snow under strange light tossing in the pasture
like a storming ocean caught
by a flaring beacon.
The deer stands away from me not far
there among bare black apple trees
a presence I no longer see.
We are proud to be afraid
proud to share
the silent magnetic storm that destroys the stars
and flickers around our heads
like the saints’ cold spiritual agonies
of old.
I remember but without the sense other light-storms
cold memories discursive and philosophical
in my mind’s burden
and the deer remembers nothing.
We move our feet crunching bitter snow while the storm
crashes like god-wars down the east
we shake the sparks from our eyes
we quiver inside our shocked fur
we search for each other
in the apple thicket—
a glimpse, an acknowledgment
it is enough and never enough—
we toss our heads and say good night
moving away on bitter bitter snow.

Copyright Credit: Hayden Carruth, “I Know, I Remember, But How Can I Help You” from Collected Shorter Poems. Copyright © 1992 by Hayden Carruth. Used with the permission of Copper Canyon Press.

By the time I recalled that it is also
terrifying, we had gone too far into
the charmed woods to return. It was then

the beautiful animal appeared in our path:
ribs jutting, moon-fed eyes moving
from me to you and back. If we show

none of the fear, it may tire of waiting
for the triggering flight, it may ask only
to lie between us and sleep, fur warm

on our skin, breath sweet on our necks
as it dreams of slaughter, as we dream
alternately of feeding and taming it

and of being the first to run. The woods
close tight around us, lying nested here
like spoons in a drawer of knives, to see

who wakes first, and from which dream.


Copyright Credit: Geoffrey Brock,” The Beautiful Animal” from Weighing Light (Ivan R. Dee, 2005). Copyright © 2005 by Geoffrey Brock. Used with the permission of the author.

You are enough

Divinity flows in your fingertips
        with light so radiant
        every beat of your heart
a victory march
made of whole universes
        stitched by the hands of creation
        with flawless design
a prophecy You fulfill perfectly with every breath

        You

The sun wouldn’t shine the same without it
Creation is only waiting for You
                to smile back at it

Do you see it yet?

You are enough
        For the birds to sing about
        For the seeds to sprout about
        For the stars to shoot about

        Do you see it yet?

        Gardens in your speech
Fields of wildflowers in your prayers
        Lighthouses in your eyes
    No one else can see it for you

You have always been enough
You will always be enough

Your simple act of being is enough

            Do you see it yet?


Copyright Credit: Andru Defeye, “Enough” from Sacramento Poetry Center Anthology (2022). Used with the permission of the author.

For weeks, I breathe his body in the sheet
and pillow. I lift a blanket to my face.
There’s bitter incense paired with something sweet,
like sandalwood left sitting in the heat
or cardamom rubbed on a piece of lace.
For weeks, I breathe his body. In the sheet
I smell anise, the musk that we secrete
with longing, leather and moss. I find a trace
of bitter incense paired with something sweet.
Am I imagining the wet scent of peat
and cedar, oud, impossible to erase?
For weeks, I breathe his body in the sheet—
crushed pepper—although perhaps discreet,
difficult for someone else to place.
There’s bitter incense paired with something sweet.
With each deployment I become an aesthete
of smoke and oak. Patchouli fills the space
for weeks. I breathe his body in the sheet
until he starts to fade, made incomplete,
a bottle almost empty in its case.
There’s bitter incense paired with something sweet.
And then he’s gone. Not even the conceit
of him remains, not the resinous base.
For weeks, I breathed his body in the sheet.
He was bitter incense paired with something sweet.

Copyright Credit: Jehanne Dubrow, “The Long Deployment” from Dots & Dashes. Copyright © 2017 by Jehanne Dubrow. Used with the permission of Southern Illinois University Press.

My mother will leave me her mother's deep-black
cast-iron skillet someday,
I will fry okra in it,
weigh my whole life on its black handle,
lift it up to feel a people in my hand.
I will cook dinner
for my mother on her rusting, bleached stove
with this oiled star.
My mother made her body crooked
all her life to afford this little wooden blue house.
I want her green thumbs

wound around a squash’s neck

to be wound around my wrist

telling me to stay longer. O what she grew with the dust

dancing in blue hours. What will happen to her body

left in the ground, to the bodies in the street,

the uncles turned to ash on the fireplace mantles

the cousins we’ve misplaced?

How many people make up this wound?

No one taught my mother how to bring us back to life,

so no one taught me.

O what we gather and O Lord

bless what we pass on.


Copyright Credit: Tyree Daye, “Inheritance” from Cardinal. Copyright © 2020 by Tyree Daye. Used with the permission of Copper Canyon Press.

I am the Smoke King
I am black!
I am swinging in the sky,
I am wringing worlds awry;
I am the thought of the throbbing mills,
I am the soul of the soul-toil kills,
Wraith of the ripple of trading rills;
Up I’m curling from the sod,
I am whirling home to God;
I am the Smoke King
I am black.

I am the Smoke King,
I am black!
I am wreathing broken hearts,
I am sheathing love’s light darts;
Inspiration of iron times
Wedding the toil of toiling climes,
Shedding the blood of bloodless crimes—
Lurid lowering ’mid the blue,
Torrid towering toward the true,
I am the Smoke King,
I am black.

I am the Smoke King,
I am black!
I am darkening with song,
I am hearkening to wrong!
I will be black as blackness can—
The blacker the mantle, the mightier the man!
For blackness was ancient ere whiteness began.
I am daubing God in night,
I am swabbing Hell in white:
I am the Smoke King
I am black.

I am the Smoke King
I am black!
I am cursing ruddy morn,
I am hearsing hearts unborn:
Souls unto me are as stars in a night,
I whiten my black men—I blacken my white!
What’s the hue of a hide to a man in his might?
Hail! great, gritty, grimy hands—
Sweet Christ, pity toiling lands!
I am the Smoke King
I am black.

All night the sound had
come back again,
and again falls
this quiet, persistent rain.

What am I to myself
that must be remembered,
insisted upon
so often? Is it

that never the ease,
even the hardness,
of rain falling
will have for me

something other than this,
something not so insistent—
am I to be locked in this
final uneasiness.

Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out

of the tiredness, the fatuousness, the semi-
lust of intentional indifference.
Be wet
with a decent happiness.


Copyright Credit: Robert Creeley, “Rain (All night the sound had)” from The Collected Poems of Robert Creeley 1945-1975. Copyright © 1962 by Robert Creeley. Used with the permission of the Estate of Robert Creeley.

It may be misery not to sing at all,
And to go silent through the brimming day;
It may be misery never to be loved,
But deeper griefs than these beset the way.

To sing the perfect song,
And by a half-tone lost the key,
There the potent sorrow, there the grief,
The pale, sad staring of Life’s Tragedy.

To have come near to the perfect love,
Not the hot passion of untempered youth,
But that which lies aside its vanity,
And gives, for thy trusting worship, truth.

This, this indeed is to be accursed,
For if we mortals love, or if we sing,
We count our joys not by what we have,
But by what kept us from that perfect thing.

I know it will be quiet when you come:
No wind; the water breathing steadily;
A light like ghost of silver on the sea;
And the surf dreamily fingering his drum.
Twilight will drift in large and leave me numb
With nearness to the last tranquility;
And then the slow and languorous tyranny
Of orange moon, pale night, and cricket hum.

And suddenly there will be twist of tide,
A rustling as of thin silk on the sand,
The tremor of a presence at my side,
The tremble of a hand upon my hand:
And pulses sharp with pain, and fires fanned,
And words that stumble into stars and hide.