By Mark Waldron
On occasion, when the mood takes him
as it so often does, he will put down
his papers, get up from his kindly old chair,
and leave for a while the sweeping beam
to sow its charitable seed — that seed which,
when falling on the ground
of a helmsman’s fertile consciousness,
ought germinate in it a cautious vigilance.
He descends then, the long corkscrew of
the stairs and opens at their base the metal door
so that he may take a closer look at what might
be beyond his tower’s environs. There he always
finds the churning world, she laps at him from
every side with no respite, and spatters him
with spray. Thanks to a certain modulation,
a tone which he adopted long ago
when he still wore shorts and buckled shoes,
there is no danger here from neither shark
nor crocodile, not in this sea stuffed as it is
like a dressing-up box with whimsy.
Indeed, were there such creatures hidden
neath the sliver-thin surface of the waves,
they’d have no teeth but only soft gray gums
and goofy grins, and they’d be giggling
knowingly at the whole thing. And so it is
that as he gazes out, he cannot help
but wonder what it is he might be warning of
with the light that turns atop his tower,
because that tower is itself in fact the only
hazard anywhere on which a ship might rip her
wooden skin and haemorrhage her lumpy
blood that’s made of all the gasping sailormen.
Source: Poetry (September 2018)
Poet Bio
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