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By Nathan McClain

Near the entrance, a patch of tall grass.
Near the tall grass, long-stemmed plants;


each bending an ear-shaped cone
to the pond’s surface. If you looked closely,


you could make out silvery koi
swishing toward the clouded pond’s edge


where a boy tugs at his mother’s shirt for a quarter.
To buy fish feed. And watching that boy,


as he knelt down to let the koi kiss his palms,
I missed what it was to be so dumb


as those koi. I like to think they’re pure,
that that’s why even after the boy’s palms were empty,


after he had nothing else to give, they still kissed
his hands. Because who hasn’t done that—


loved so intently even after everything
has gone? Loved something that has washed


its hands of you? I like to think I’m different now,
that I’m enlightened somehow,


but who am I kidding? I know I’m like those koi,
still, with their popping mouths, that would kiss


those hands again if given the chance. So dumb.


Nathan McClain, "Love Elegy in the Chinese Garden, with Koi" from Scale.  Copyright © 2017 by Nathan McClain.  Reprinted by permission of Four Way Books, www.fourwaybooks.com.

Poet Bio

Nathan McClain
Nathan McClain (he/him) is the author of two collections of poetry: Previously Owned (Four Way Books, 2022), longlisted for the Massachusetts Book Award, and Scale (Four Way Books, 2017). He is a recipient of fellowships from The Frost Place, the Sewanee Writers’ Conference, and Bread Loaf Writers’ Conference and is a Cave Canem fellow. He earned an MFA from Warren Wilson College. His poems and prose have appeared in Plume Poetry 10, The Common, Guesthouse, Poetry Northwest, and Zócalo Public Square, among others. He teaches at Hampshire College and serves as poetry editor of the Massachusetts Review. See More By This Poet
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