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By E. A. Markham

In this poem there is no suffering.


It spans hundreds of years and records


no deaths, connecting when it can,


those moments where people are healthy


 


and happy, content to be alive. A Chapter,


maybe a Volume, shorn of violence


consists of an adult reading aimlessly.


This line is the length of a full life


 


smuggled in while no one was plotting


against a neighbour, except in jest.


Then, after a gap, comes Nellie. She


is in a drought-fisted field


 


 with a hoe. This is her twelfth year


on the land, and today her back


doesn’t hurt. Catechisms of self-pity


and of murder have declared a day’s truce


 


in the Civil War within her. So today,


we can bring Nellie, content with herself,


with the world, into our History.


For a day. In the next generation


 


we find a suitable subject camping


near the border of a divided country:


for a while no one knows how near. For these


few lines she is ours. But how about


 


the lovers? you ask, the freshly-washed


body close to yours; sounds, smells, tastes;


anticipation of the young, the edited memory


of the rest of us? How about thoughts


 


higher than their thinkers?…Yes, yes.


Give them half a line and a mass of footnotes:


they have their own privileged history,


like inherited income beside our husbandry.


 


We bring our History up to date


in a city like London: someone’s just paid


the mortgage, is free of guilt


and not dying of cancer; and going


 


past the news-stand, doesn’t see a headline


advertising torture. This is all


recommended reading, but in small doses.
It shows you can avoid suffering, if you try. 


E. A. Markham, "A History Without Suffering" from Human Rites: Selected Poems 1970-1982. Copyright © 1984 by E. A. Markham.  Reprinted by permission of Carcanet Press, Ltd.

Source: Human Rites: Selected Poems 1970-1982 (Anvil Press Poetry Ltd., 1984)

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Poet Bio

E. A. Markham
Edward Archibald Markham was born in Montserrat in the West Indies, the youngest of four children. In 1956, he moved to England with his family, who neglected to send Markham to school for two years, having him work instead. He eventually studied philosophy and literature at the University of Wales. Interested in drama, he founded the Caribbean Theatre Workshop and traveled to the Caribbean. Markham worked as a media coordinator in Papua New Guinea and taught at a number of universities in England. A writer of both poetry and prose, he started publishing poetry in the 1970s, sometimes under the names of two invented personas: Paul St. Vincent and Sally Goodman.  See More By This Poet

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